Eric Barnum

and

Richard Robbins

Where Have All the Critics Gone?

Featuring Dr. Jeremiah Cawley

 

In what amounts to a double episode, Richard and Eric are joined by special guest Dr. Jeremiah Cawley, and plunge into the deep end of the pool to discuss the state of criticism and its usefulness in the choral world.  What is a critic and what is good criticism?  Do we as a culture have a growing distaste, distrust, or maybe misunderstanding of what criticism is?  Are there sources of good, impactful criticism that can be relied upon in the choral community?  What is the future of this increasingly rare form of art?

Adorno, T.W. (1995).  Bach Defended Against His Devotees.  Prisms (pp. 135-146)  Massachusetts: MIT Press Cambridge.
Allison, J. (Aug., 2015).  Prom 32: Eric Whitacre, review: ‘overstayed its welcome.’  The Telegraph.
Ebert, R. (Sept., 2008).  “Critic” Is A Four-Letter Word. Roger Ebert’s Journal Online.
Hewett, I. (Sept., 2012).  Religious music for the commitment-phobe. The Telegraph.
Maritain, J. (1935). Art and Scholasticism.  University of Notre Dame.
Mendelsohn, D. (Aug., 2012)  A Critic’s Manifesto. The New Yorker.

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